by Gweni Llwyd

The screeching of strings echoes through a dark room. A male figure slowly turns to look at me. I wake up.

Initially, I’m freaked out. the male figure was frightening, sort of resembling Alexander Kaidanovsky’s character in ‘Stalker’, and the sound loud and intense. Then I realise the sound was familiar: a snippet from Migratory Motor Complex. The next day I encounter the piece awake (more or less), and can’t stop thinking about why and how I subconsciously attempted to illustrate it.